The EOS 6D is Canon’s first attempt at an “entry level” Full Frame Single Reflex Camera(SLR). It slots in above the Aps-C 7D and below the new 5D mk3. I have to sneak in a word of thanks to Sean from Arrow Photo for making one of the first 6D’s in South Africa available to me. Not many photographers have had an opportunity to shoot a full wedding with the 6D. Most retail stores expect to have stock by the end of January 2013. Reading this review will reveal some sneaky details never seen before 🙂
If you are a Canon user you will feel right at home with the 6D as illustrated below.
The camera shares the same ergonomics as previous Canon SLR’s. Photographers upgrading from the 60D will feel right at home. I would like to call the 6D a reworked 60D to now house the precious Digic 5 processor and full frame sensor.
In short here is the main Specs of the camera:
Canon EOS 6D key specs
- 20.2MP full frame CMOS sensor
- DIGIC 5+ image processor
- ISO 100-25600 standard, 50-102800 expanded
- 4.5 fps continuous shooting
- ‘Silent’ shutter mode
- 1080p30 video recording, stereo sound via external mic
- 11 point AF system, center point cross-type and sensitive to -3 EV
- 63 zone iFCL metering system
- 97% viewfinder coverage; interchangeable screens (including Eg-D grid and Eg-S fine-focus)
- 1040k dot 3:2 3″ ClearView LCD (fixed)
- Single SD card slot
- Built-in Wi-Fi and GPS
- Single-axis electronic level
HANDS ON, GLOVES OFF
The 6D is very comfortable to hold. If you are used to the bulky grip of the 5D or 7D the 6D might feel a little less so. By no margin is it too small or ‘iffy”. My only gripe is that the camera feels a bit wobbly with heavy lenses (70-200mm). You would benefit by attaching the optional Battery Grip (BG-E13). The grip also provides an additional shutter button for portrait shooting.
The camera is solid and has a premium feel. I really like the damping and feel of the front dial. Its operation is very dampened compared to the 5D mk2 that gives a clicking sound as you roll your finger over it. The 6D is a very unobtrusive camera. Candid photographers would enjoy this feature as well as wedding togs where silent shooting is paramount.
Just like the New 5D mk3 the depth of field preview button is now moved to the grip side of the camera. Reaching it with your left forefinger is a breeze. The 6D also shares the new lock dial mechanism on the latest Canon SLR’s. Trust me, on the Older 5D mk2 I often moved the dial from M to Av without noticing. I find the new lock button very helpful in preventing accidental movement. Nothing like snapping an award winning moment with a camera on the wrong setting. 
The ON/OFF switch is lovely to use compared to the older mechanism found at the bottom back of the camera. Many a time I would turn off the rear dial on my 5D mk2 by accident just as I want to move a focus point. Very frustrating.
The rear of the 6D is uncluttered and sparingly “decorated”. The big rear dial is still in place, only this time it is slightly smaller in comparison to the 7 and 5D. I would have preferred a full size rear dial. The joystick controller also makes way for the “up-down-left-right” controller. It is similar to the previous generation mobile phone input selectors. Canon goes retro! The selector works well, but I find that the movement my thumb has to make to reach it, is way too big. The joystick on the 5D is very well positioned. Again, if you are upgrading from the 60D you will feel like you haven’t left the living room.
A single slot, housing the SD card, is weather sealed. You can see the dust trap under the door in the picture. Most photographers buy new cards when they upgrade to a new body, so the SD/CF debate bears little weight. SD cards are widely available and cheaper compared to CF cards. Maybe a dual card slot would have been handy, but most Canon shooters are used to one anyway.
All major controls and buttons are now on the right side on the back of the 6D. This enables a truly one handed operation to view and delete images and change settings with the Q button. Only the menu and Info buttons are placed withing reach of your left hand. Makes a lot of sense to me.
One of the new features of the 6D is built in GPS for Geo tagging images. Great feature if you work for National Geographic. Not so great if you only have one battery pack available. The LP-E6 Battery is a workhorse if the GPS is turned off. I shot more than 1000 images from a single charge. Turn on the GPS and WiFi functions and see that figure drop considerably.
Did I mention WiFi? Yes, another surprise feature up the 6D’s sleeve. Remote shooting from your Android or Apple device has never been this easy. You can turn any smartphone or tablet into a remote controller for the 6D. Just download the EOS Remote App and follow the on-screen instructions. The screen of your device acts as a live feed from the camera’s viewfinder. Capturing those ever elusive bird species is now within your reach. Set the camera on a tripod close to the feeder and Bob’s your uncle. All major settings can be controlled via your device. Hit the shutter button and voila! Perfection! You can download the app here.
Turning to the side of the camera reveals my only real concern. The 6D has no PC Sync port for studio use. I know that Radio triggers are the preferred norm, but many aspiring studio photographers would upgrade to the full frame 6D for its quality sensor. Older studio lighting kits only provide the sync cord as connection. I would really like to see that port included in a R20 000 plus camera. Even if it is “only” an entry level full frame shooter.
HDMI and microphone ports are standard issue. The rubber flaps feel sturdy and strong. I would probably never have any need to lift a flap.
From this image you can see that the 6D has no built in flash. As professional photographer I hardly have any need for one, but the aspiring Amateur might end up in situations where having a small flash is better than having none. It seems like Canon is not really sure about the demographic this product is aimed at. I often think of the 6D as a mixed bag of Pro and Amateur bits. No built in flash like it older brother the 5D mk3. No PC Sync socket like an entry level 1100D. Wifi and GPS to confuse us all and then the full frame sensor. Now the latter is the reason I bought this camera.
Offering slightly newer technology than the 5D mk3 the 20.2MP full frame CMOS sensor is a beauty. Same level of excellent High ISO handling in RAW at a 3rd of the price less. I believe that value for money is the 6D’s trump card. All the other features or lack thereof are not really important in “The Real World” of shooting.
If you need the bigger sensor and the budget is tight, very little can beat the 6D.
Photographers using the EF-S lens system(APS-C) might want to consider that the 6D only accepts EF lenses. Upgrading from the 60D might be more costly than anticipated.
The Auto-focus system only provides you with 11 focus points selectable via the controller inside the rear dial. I would have wanted more outer points as my shooting style often requires that. Auto focus is quick and spot on. Even in near darkness. Any wedding photographer’s dream!
The 6D is an easy camera to recommend to real photographers getting their hands dirty. If you are more interested in pixel peeping and comparison charts, then very few cameras would satisfy you. At the price the full frame 6D is by far a better camera than the older 5D mk2.
6D Sample Images to follow soon.
Happy shooting.
A
*Any comments and suggestions would be greatly appreciated as this is my first attempt at writing a gear review 🙂
Andries Combrink 
Great review. Thanks. Maybe you could follow up with some user experience on the ‘quiet/silent mode’, and tell us if we have lost mirror slap, lens vibration.. etc. or even if it wasn a problem in the first place. I can’t find anything on that in other reviews except a uTube comparison between the 5D3 and this cam of the actual sounds, but not of vibrations…
My first choice, having had a trusty film Nikon body, was the Nikon D600. That was simply because I had first read the Nikon review and I have patiently waited for digtal to catch up with film, as I was hooked on Velvia. I think it may have now, . However with further reading one learned that the Nikey D600 is having terrible problems with grease-like dirt on the sensor, that needs the cam to go back for pro cleaning. This shows up as specks on the sky in the photos, and comes from even brand new to slightly used cams. They think its from the mirror motor. Thinking is not good enough. If they recall trhe lot, then what, wait for 4 months? So, I am going for this 6D instead probably from Hong Kong. Greetings from Phuket Thailand.
Thanks Tommy for the great reply. Will follow up on your suggestions as soon as possible. I can say that the Silent mode is very good on the 6D. Mirror slap is of little concern. Dust on D600 is worrisome…5Dm2 is still a great camera and you can probably pick it up at a very good price….
Next Q. I have read a review of the 6D that said the results right out of the camera are ‘extraordinary’. This guy is a pro who also developed hardware and sofware for photgraphy color work, and reviews what only he uses, or would like to buy. He shows some fab slides.
In another article, still on his site, site he shows photos, from the 6D that each needed correction on Perfectly Clear.There is no feedback on his site so I cannot go further there.
So the question is.
1. Is the 6D, (and 5d2,3 etc) nearly always(?) capable of putting out satisfactory, (extraordinary), photos, with careful adjustments of the available settings,
or,
2. Does one need to purchase correction software and have to fiddle with photos after they leave the camera, to bring them to an acceptable ‘corrected’ level.
or
3. Do we wait for Canon to incorporate such correction software into the camera’s computor/processor
or
4. Do we wait for Canon to improve metering, white balance or wahtever that giving a shot fromthe cam that needs correcting, not fine tuning. Now I just sit and stare at my Contax, Nikey and Hassy setup with no real desire to continue the hassle of film, NOR the desire to take half useless photos with a 2K camera that need to go through a whole lot of fiddling with outside software. Any opinions on this.
Thomas, when shooting digital one almost always have to slightly adjust your images for optimal colour, sharpness etc.The bundled software provided by Canon is very good, so no need to purchase any expensive software. When shooting Jpeg you can control your output, but RAW just provides so much more in terms of Dynamic range. If you are looking at getting the best out of your digital SLR I would recommend shooting raw. Nikon tends to provide a more vivid image out of camera compared to the more neutral canon set-up. In RAW mode results are very similar depending on the cameras you compare. Another important aspect is your choice of lens…Pro lenses will provide you with better contrast and colour reproduction. Calibrating the camera and lens will also provide you with optimal sharpness. Canon AF systems now all have the micro adjustment option to optimise sharpness for each lens used on the body.
I use Lightroom 4 software and It takes care of all my image adjustments. Lens correction profiles are included for all major brands. So getting the best out of your SLR is really up to you…
Unfortunately you cannot get away from doing the basic adjustments on your computer as In camera adjustment is not 100% on par. The problem is that you cannot trust the LCD screen…
I can say that the 6D and 5D is consistent in their output. Human error is mostly to blame for out of focus or badly exposed images.
Another thought: With film you would purchase e.g. Velvia to produce a certain “look” and “feel”. Editing has now substituted that role…
Have a look at Jeff Newsom’s images and his use of grain to produce his signature “look”http://voltronofawesomeness.com/imported-data/month/march-2013
Yes, This is good camera. http://www.clippingpathassociate.com/